4/3/2023 0 Comments Tilt shift focus premiere pro![]() ![]() Next, drag the center of the top dotted line in closer to the top solid line, and then do the same to the bottom dotted line (as shown here). Now, do the same thing with the bottom solid line, moving it up toward the round pin thingy. Then, click directly on the top solid line and drag inward toward the round pin thingy in the middle (and yes, thingy is the official name given by the International Board of Unsure Naming, or the IBUN). Here’s how: First, click on the pin and move it down and to the right (as seen here). Step Four: When you’re going for this tiny models look, I think it looks better if you com press both of the focus areas-making the in-focus area smaller and the transition area smaller. I totally dig adjusting the blur right on the image this way, but if it gets on your nerves, you can use the Blur slider in the Blur Tools panel that appears over on the right side of your workspace. As you drag, the ring turns white to show you how far you’ve gone, and the actual amount of blur appears in a little pop-up display at the top of the ring (as seen here, where I dragged to 66). Step Three: You control the amount of blur by clicking on the gray part of the ring around the pin, and dragging around the ring. Note: To remove a pin, just click on it and hit the Delete (PC: Backspace) key on your keyboard. The wider the distance between the solid and dotted lines, the longer it takes to go from sharp (inside the solid line) to totally blurry (outside the dotted line). The solid lines show you the area that will remain in focus (the focus area), and the area between each solid line and dotted line is transition, where it fades from sharp to blurry. It places a round pin in the center of your image, and above and below that are two solid lines, and then two dotted lines. Step Two: When you use any of the filters in the Blur Gallery, it uses interactive, onscreen controls to work with your images. Now, go under the Filter menu, under Blur Gallery, and choose Tilt-Shift (as shown here). Step One: Open the image you want to apply the effect to (be sure to read the intro above to make sure you use the right type of image, or this effect will look pretty lame. Ideally, you’d use one where you photographed from a high point of view, looking downward, and the higher you are, and the steeper the angle, the better it helps sell the idea that you’re looking down on a scale model. Using this filter is easy if (this is a big if) you have the right type of photo. The Blur filter gives you a really easy way to create the miniaturization effect you see all over the web, where a photo is transformed to look like a tiny toy model (well, think of it more like an architectural model). ![]() The tilt-shift mechanism can be rotated +/- 90° for applying movements in any direction, and a tilt-locking mechanism can be used while shooting for greater stability.Excerpt from The Adobe Photoshop CC Book for Digital Photographers Up to +/- 8.5° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition. ![]() And shifting or tilting can also minimise or maximise the blur behind your subject. ![]() With this lens, the ability to tilt and/or shift the lens in different directions changes the entire plane of focus doing so can allow your images to appear miniature. The TS-E 24mm f/3.5L II is a Canon L-series tilt-shift lens which b alances a versatile wide-angle field of view with advanced perspective and focus control, well-suited to architecture, interiors, and landscape.Ī tilt-shift lens changes the orientation and position of the lens mechanism with respect to the image sensor. ![]()
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